Art review: At the Phillips Collection, ‘Marley Dawson: Ghosts’ — part of the museum’s ‘Intersections’ series — responds to the museum’s artchietcure and past.

Dawson currently lives in a rustic corner of his native land, but he knows the Phillips. In fact, he worked there during a sojourn in Washington a decade ago. He lived in Washington for two-and-a-half years, while his wife worked at the Australian embassy. Dawson devoted the time to what he calls “self-directed research or slacking, one or the other,” speaking by Zoom from his farm, roughly midway between Melbourne and Canberra.




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